A Rainy Day in New York (2019)

In Woody Allen's inconsequential, breezy romantic comedy - which I quite enjoyed - Timothée Chalamet's gloomy Gatsby Welles shuffles hunch-shouldered, arms in pockets around a rainy New York City, spending a day with sunny partner Ashleigh that doesn't go to plan, and just as you think it yourself about his slight and self-aware performance, Allen has Chalamet say - ostensibly about another character but far too applicable to his own performance to be coincidence - "[He's] a James Dean minus the acting chops".

★★★☆☆

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Super 8 (2011)

 

A Goonies gang accidentally captures government secrets on their Super 8 camera as they make a zombie film, and while the kids revel in making their zombie movie, you get the sense director J J Abrams himself is revelling in making  the sort of movie Spielberg made in the 80s with kids on an adventure  in a richly detailed small-town America, but J J Abrams is also paying homage to the paranoid scifi invasion B-movies of the 50s and this dual, conflicting purpose strips some Spielberg heart from the kids' adventure.

★★★☆☆

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The Beguiled (2017)

In her movie based on Thomas Cullinan's novel, is Sofia Coppola commenting on the fortitude and independence of women as men all around them tear each other apart in the American Civil War, or suggesting women make really bad rash decisions in the absence of men, or is Coppola's equally celebrated and lamented light touch as a director in fact a fear of saying anything at all, and had Annie Wilkes hobbled Paul Sheldon to save his life, would 'Misery' have been a thriller of greater psychological depth, are the sorts of questions that come up while watching this beautifully acted, stunningly photographed (the scene in which Kirsten Dunst picks flowers in the overgrown garden of a great southern plantation house is alone worth the price of admission), occasionally amusing, but mystifying and very slight, slice of feminist, no, anti-feminist, no, fem...gothic period drama.

★★★★☆

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Live By Night (2016)

A long, sprawling gangster epic that tackles weighty matters in the Prohibition era like religion, the Klu Klux Klan and the advent of organised gambling in America, shouldn't feel this lightweight, with Director, Producer and star, Ben Affleck perhaps still in Batman cartoon mode, relying on an array of brightly coloured fedoras to enliven his trademark lamppost presence in a movie that feels like you are watching someone play Grand Theft Auto V.

★★☆☆☆

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