Like Patrick Swayze's Sam in Ghost, the girl in this movie moves into a limbo state after her murder, but unlike Sam in Ghost, her limbo (a dreamlike state like in The Cell) has no narrative purpose: while her presence is felt by her family members, it does nothing to help their investigation into her disappearance, and with no real connection to the events of the film, her limbo and her particularly daft Oda Mae Brown moment towards the movie's end are meaningless gimmicks in a long mystery-free drama about an absurd trap-building serial killer.
★☆☆☆☆
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