This not very illuminating 2014 documentary suggests a conservative Japanese society is moving to shut down the country's love hotels - might it more likely be not a conservative move but a practical one ahead of the 2020 Tokyo Olympics? - and given no explanation is offered as to why so many patrons of these supposed dens of iniquity are at ease sharing their stories in front of the documentary camera, you are left with the impression this is a documentary made by a titillated outsider trying to make drama and stories where there really are none!
★☆☆☆☆
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