Into The Labyrith (L'uomo del labirinto) (2019)

Author Donato Carrisi directs for a second time an adaptation of one of his own books and like the first effort (The Girl In The Fog) this is again an unrestrained nonsense, a murder mystery that plays out like a garish fairytale, so over-the-top with its allusions to witches and dungeons and masked killers, none of it ends up mattering or even making sense, least of all the grandiose twists that you'd have to be a real dummy not to see coming.

★★☆☆☆

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Everything Everywhere All At Once (2022)

The irreverence of some of the universes in an infinite multiverse makes sense, but that doesn't mean literal sausage fingers, raccoon chefs, goggly-eyed rocks, and swirling black-hole bagels are any less irritating in this sci-fi adventure about a woman who learns a simple life lesson in the most repetitive, long-winded way imaginable - not from the first iteration of her multiverse, where the message was already crystal clear, but only after ad nauseam repetition of several of the silliest iterations - yes, literal sausage fingers again and again and again - over 139 minutes that feel longer than a zillion lifetimes strung together.

★★☆☆☆

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