Showing posts with label thisweek16. Show all posts
Showing posts with label thisweek16. Show all posts

Sunday, 13 March 2022

The Pledge (2001)

The trouble with director Sean Penn's mostly-gripping The Pledge, about a cop who promises a grieving mother to find the killer of her child, is not Jack Nicholson's gnarlier-than-usual detective (compare him with the clean-cut Foyle-like turns of It Happened In Broad Daylight's Heinz Rührmann and Cold Light of Day's Richard E Grant) nor the story's movement from the Swiss Alps to Nevada, but Penn's muddling Dürrenmatt's screenplay - a jaunty mystery with a detective-novel ending - with the author's later book, "The Pledge - Requiem for the Detective Novel, which refashions that screenplay's plot into a much darker existential drama; Penn borrows scenes from the earlier 1958 adaptation and incorporates aspects of the screenplay (such as a sequence that demystifies the serial killer), and so detracts from the book's grim philosophy.

★★★☆☆

CINECAL: ONE SENTENCE REVIEWS

Wednesday, 9 March 2022

Saw (2004)


Given the fact there is a serial killer, Jigsaw, playing philosophically-motivated torture games, that comic actor Carly Elwes plays a rubber-faced Ash-like doctor whom it is sometimes hard to take seriously, and that Ken Leung's Steven Singh is a David Mills replica, it is entirely possible this original movie of director James Wan's Saw series was intended as a parody of Se7en, but whether that is true or not, the story of two men waking up in a puzzle box was taken seriously enough to spawn a long-running series of gruesome horror thrillers, and this original movie is possibly even responsible for the birth of the Escape Room craze that took over the world in the year of Saw's release, 2004.

★★☆☆

CINECAL: ONE SENTENCE REVIEWS

Saturday, 5 March 2022

It Happened In Broad Daylight (Es geschah am hellichten Tag) (1958)


The book, adapted by Sean Penn in The Pledge (2001) with Jack Nicholson as the detective who promises a grieving mother he'll catch her child's killer, came later, but this 1958 Swiss-Italian-Spanish co-production is based Friedrich Dürrenmatt's even earlier screenplay - not the book - featuring the chilling child serial killer plot with a more palatable ending - the book's subtitle (The Pledge - Requiem for the Detective Novel) hints at the dark direction Dürrenmatt took with his refashioned plot, while this film, faithful to the earlier screenplay, can be enjoyed as a detective novel proper: a jaunty Swiss mystery with a thrilling police investigation.

★★★★☆

CINECAL: ONE SENTENCE REVIEWS

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