Ma (2019)

Older people wanting in with younger - intergenerational ingratiation - is the really interesting thing at the core of this well-acted horror thriller and is something reflected not only in Octavia Spencer's Ma's relationship with the group of high schoolers she lures to parties in her basement but also in the relationship Juliette Lewis's mother-character has with the Julie Roberts-lookalike daughter she hopes will stay interested in their movie-nights-in together, but the thriller makes little of this, instead squeezing in issues of race, gender, animal cruelty, catfishing, Munchausen By Proxy, bullying and trauma, so that Ma, in the end, becomes a broad caricature - in fact, she recalls Homer Simpson the way she gets about in that one outfit, her scrubs - and her psychoticism in the end is a generalised disorder, themeless, levelled at everyone for everything, and manifests in outrageous, unjustified Human Centipede flourishes - she's just a rank nutter who needs to be violently dispatched, undermining the already longwinded, not-very-interesting psycho origin story told across too many flashback interruptions.

★★☆☆☆

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The Girl On The Train (2016)

A daily commute on a train allows a woman, not a girl, to observe the lives of two couples who seem to pop out and share intimate moments on their balconies with the regularity of cuckoo birds marking the time and the commuter gets mixed up in a murder case when one of the observed disappears, in this adaptation of the popular - but judging by this movie - ridiculously plotted Paula Hawkins book, a perfect movie for anyone who likes their mystery thrillers to unfold surprise-free, in an incoherent monotone, mostly in the dark and out of chronological order to disguise how unremarkable it is, with only personality-free characters, several of them indistinguishable from each other, behaving in only completely cracked ways.

★☆☆☆☆

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