The fact she is a divorcee, has a litigious ex, and is a waitress who grapples for the movie's first fifteen minutes with rude or fickle or impatient customers is all extraneous to the sixty-minute car chase Halle Berry's Karla Dyson embarks upon after she witnesses her son's abduction: the writers haven't tried to make this dross even slightly intelligent, staging the vehicular action in a logic-free fantasy land that exists free from the constraints of time, largely free from a police presence, free from geographical constraints, and free from viewers' expectations that something interesting might happen in the end to cleverly tie it all together.
★☆☆☆☆
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