David Lynch's neo-noir cult classic from 1986 pre-dates Twin Peaks and his increasingly mind-bending films of the 90s and is remarkable for its hideous gas-sucking, dry-humping villain, its uniquely Lynchian imagery, its dreamlike scenes - like the one with the dancer on the car rooftop, and the standing lobotomee ' and for helping salvage Kyle MacLachlan's career after the director's much-maligned Dune.
★★★★☆
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