This Korean horror starts inventively but as though infected with its own zombie virus grows steadily more rudimentary and sluggish as it goes on, telling the story of a busy and important fund manager who is too wrapped up in his work to be able to meaningfully engage with his young daughter; their train trip to the child's mother's house on the child's birthday is interrupted by a zombie apocalypse (imagine a V/Line country service after an AFL match) leading to some genuinely heartbreaking scenes of the young girl crying amid zombie chaos, but at least the fund manager snaps out of his own zombie-like fugue and starts fighting for his and his daughter's survival.
★★★★☆
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