Showing posts with label DougrayScott. Show all posts
Showing posts with label DougrayScott. Show all posts

Friday, 14 June 2019

Ripley's Game (2002)


You can easily imagine this is Matt Damon's Tom Ripley grown up and comfortable in his sociopathic skin, no longer scared of what he can't control, now living in Italy with his wife and surrounding himself with frescoes, antiques, harpsichords, Baroque music and art and eating soufflés and truffles and still manipulating the people around him to achieve his own goals which, in this adaptation of Patricia Highsmith's third book in the Ripley series, is simply to avenge a neighbour's slight at a party - the high body count, the trips back and forth across Europe, a siege with Balkan gangsters, are all just part of that sociopathic game of revenge that fills time while really we watch this wonderful thriller to see if John Malkovich's Tom Ripley will make it to his wife's harpsichord concert or not.

★☆

CINECAL: ONE SENTENCE REVIEWS

Wednesday, 16 August 2017

Taken 3 (2014)


The dopiest moments in this appalling third movie of the Taken series include a scene in which a peach yoghurt drink plays a dubious role in ex-government operative Bryan Mills' intricate plot to reunite with his daughter; a scene involving a Russian gang leader who makes a money-exchange appointment, barking down a phone, "Meet me in an hour," and is then in the very next scene seen raunching it up in a spa with two bikini-clad women - you can imagine him hissing, "We need to be quick!" (and watch as the women vanish without trace when the appointment starts and guns start blazing); and any scene involving Forest Whitaker's helpful-unhelpful-helpful-unhelpful investigator who in place of purpose and personality sports a chess piece and an elastic band.

★☆☆☆☆

CINECAL: ONE SENTENCE REVIEWS

Saturday, 28 September 2013

M:i-2 (2010)


Tom Cruise is the best thing in this, the worst of the five Mission: Impossible movies so far and one that plays like an Australian tourism advertisement marketed to an Asian movie-going audience, with pointed Australian accents and Aussie tourism icons placed throughout and with direction by John Woo despite his balletic "heroic bloodshed" style not being suited to the spy series.

★☆☆☆☆

CINECAL: ONE SENTENCE REVIEWS

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