Showing posts with label DirtyWar. Show all posts
Showing posts with label DirtyWar. Show all posts

Monday, 12 October 2020

Kóblic (2016)

Argentina's Dirty War is the context of this thriller, set in 1977, that has Ricardo Darin playing a traumatised former Death Flight pilot who becomes involved with a married woman, and it is just a shame that by film's end this fascinating context, beautifully realised in complete period detail, ceases being relevant to the thriller plot except perhaps for dictating how brutally everyone behaves.

★★★☆☆

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Saturday, 10 October 2020

Rojo (2018)

The comings and goings of people from a suburban house and an altercation in a restaurant between two men, one the calm respectable lawyer and community leader Claudio and the other an agitated stranger who briefly upsets the restaurant's convivial atmosphere, are the not quite commonplace, slightly skew-whiff scenes that launch director Benjamin Naishtat's exceptional thriller; how the scenes are connected is unclear and the disparate moments continue (a fleeting tv commercial in which a model kills rather than shares his drink, a tv detective and former cop with an easy case on his hands, and a teenager to whom the immorality of simply disappearing a rival never occurs) but the movie gradually, unexpectedly ties these threads together while in the background the military coup that commenced Argentina's Dirty War starts being felt in the day-to-day of the characters.
 
★★★★★

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Wednesday, 23 September 2020

The Clan (El Clan) (2015)


This true crime drama about the Puccio family, an outwardly respectable Buenos Aires family revealed soon after the end of Argentina's Dirty War in the mid-80s to be responsible for a series of shocking kidnappings and murders, ends with intertitles that tell the fate of each family member and reading them I found I still had no idea who was who, suggesting I should have paid more attention or that the movie, full of shots that linger unhelpfully over sex or offer clinical detail about who was doing what where and when, was made to revel in the horrific details, not to provide insights about the perpetrators and their motives, and was made primarily for viewers already familiar with the story.

★★★☆☆

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