★★☆☆☆
Showing posts with label BrieLarson. Show all posts
Showing posts with label BrieLarson. Show all posts
Sunday, 7 April 2024
The Marvels (2023)
Saturday, 21 December 2019
Just Mercy (2019)
Bryan Stevenson, founder of the Equal Justice Initiative and author of the book upon which this movie is based, is depicted here (by Michael B Jordan) setting up the EJI and working to free from death row a first client, Alabama prison inmate 'Johnny D' (Jamie Foxx) and if there are moments you wish this long and only very plainly told 5-star story were over, you'll sit through it in any case given the case Stevenson makes against capital punishment is unequivocal and uncomfortable, and incontrovertible is his presentation of the justice system, its courts, police, and jails as a flawed (but held up as sacrosanct) temple of white privilege - a theatre not furnished with iluminated exit signs for the benefit of the beset inside.
★★★☆☆
CINECAL: ONE SENTENCE REVIEWS
Monday, 15 April 2019
Captain Marvel (2019)
I'm suffering study fatigue in my neverending Masters of Marvel course and if there were exams tomorrow I'd struggle to answer questions on the finer plot points of this Marvel superhero movie and how it fits with all the others, except to say it is set on Earth in the 1990s before (all?) the other movies, Samuel L Jackson's Fury is a young man with two-eyes who hasn't even dreamt up the Avengers yet, and a good running joke in the movie is how slow dial-up internet is, especially for the technologically advanced Captain Marvel, a low-affect hero but great female role model who in the face of male detractors keeps getting up, dusting herself off, and keeps on getting on with her job as a, um, Krull saving the Earth from invading, er, Skrees?
★★★☆☆
CINECAL: ONE SENTENCE REVIEWS
Monday, 21 March 2016
Room (2015)
** SPOILER ALERT **
'Room' opens with "Ma" and a boy living in a confined space they call 'Room' and from there the pleasures of this movie in order are wondering at the nature of their strange circumstances, experiencing the really truly heart-stopping suspense of the film's revelatory escape scene, then being surprised by the film's unexpected, protracted and extremely emotional second half, but these parts are greater than the whole - the movie finishes and you realise what 'Room' in fact is: a narrative-free voyeuristic "these are the sorts of things that happen when" checklist.
★★★☆☆
CINECAL: ONE SENTENCE REVIEW
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