I think what Luc Besson intended was another slick, smart, minimally-plotted sexy violent spy thriller like 'La Femme Nikita' and its American remake 'The Assassin' with Bridget Fonda, but 'Anna' is a far cry from those movies with its woeful acting, laughable casting, terrible editing that makes the fisticuff action look like tai chi. and a story told via choppy-changey timehops that you know are just an attempt to try to disguise how wafer-thin and ridiculous the story is (a globe-trotting supermodel-slash-spy brings the KGB and the CIA together with a kiss each).
★☆☆☆☆
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