The way this sober, bleak Colin Niels book adaptation unfolds across chapters titled "Alice", "Joseph" and "Marion", etc - individual stories that intersect and overlap in surprising ways - and the way the movie's initial mystery of a missing woman ends up being the repercussion of events surprisingly global, means
Only The Animals recalls those sombre movies of Alejandro González Iñárritu (
Babel,
21 Grams, etc..), but when
Only the Animals ends, you feel like you have been bogged down in the sordid criminality of several individuals, not swept across the world as in Iñárritu's movies where individual lives are mere threads of a global human experience.
★★★☆☆
CINECAL: ONE SENTENCE REVIEWS
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