Like Hitchcock's Rebecca released four years earlier, the title character of this Otto Preminger-directed mystery thriller, Laura, casts a spell over everyone and like Rebecca, she's dead at the movie's outset but nonetheless presides over every scene, particularly as there is a portrait of her that watches over her apartment where Dana Andrew's detective, a man in a fedora who calls women 'dames' (for this is pessimistic film noir, not Du Maurier's romantic thriller) is investigating Laura's murder at the hands of one of her society friends.
★★★★☆
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