Baby, a getaway driver for thieves, blocks out the bad around him by listening to killer music on his iPod all day, but eventually he has to de-bud and deal with the chaos closing in around him, not just that created by the psychopaths he is inextricably tied up with and who are growing more trigger-happy by the second but also the chaos of director Edgar Wright's plot which, like the psychopaths, starts off stylish and engaging but quickly becomes unreasonable and descends into a loud mess with little pay-off.
★★★☆☆
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