Quentin Tarantino abandons narrative conventions and any concerns other writer-directors might have regarding style, taste and decorum, and has a blast introducing his Nameless Bride and setting her on her four-hour murderous path of revenge that was only at the last minute before its cinema release sliced into two halves as if by the swoosh of Hattori Hanzo steel; as it turns out, this first half is concluded in an even better second half, Kill Bill Volume 2.
★★★★☆
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