I went into this horror thriller about three girls kidnapped by a man with 23 or perhaps 24 distinct personalities confident I had worked out in advance director M Night Shyamalan's trademark twist and I am pleased to say the always fascinating Split is not one of Shyamalan's bad films like Lady In The Water but a good one like Unbreakable in that it delivers a delicious curveball in the end that is as unexpected as it is dismaying (because my ending was less surprising but better and certainly what was intended, I think, before the marketing team's endscene got tacked-on instead).
★★★★☆
CINECAL: ONE SENTENCE REVIEWS
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