Generally, I'm not mad on murder mysteries or thrillers that hinge on logistical matters like times and places, alibis, who was where when, and so I don't get excited about the logic problem of keys and doors at the heart of this classic Hitchcock, but watching the visciously cool Ray Milland pitting wits with John Williams' Inspector Hubbard is thrilling, and especially enjoyable if you are lucky enough to see this in a cinema in its intended 3D.
★★★★★
CINECAL: ONE SENTENCE REVIEWS
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